The model I owned was a Tune Syncron SB-4S LTB. It's identical to the red one pictured here, but in transparent blue. It was cool.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0ksjO3e1vMS_LCdBTaOKpl9l2gBVr9HqlY7LqBdzvTWdMD9eBmSkiX8mNWZUjja-cPDl7bvwDzPJWCGv5NinGgU7qMpUeHEjocOM-FYIJayLjrzt6Yqk5qTsHnGxQBEKx0h7mk5lo9stD/s320/tune_bass1.jpg)
You can see the transparent blue finish below. Body was basswood (ash), and the neck was maple with an ebony board. The thing was light. The active P/J pickups sounded a lot like EMGs. This was a great gig bass.
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I ended up returning it because the truss rod had a ring in it. It was part of a brand new line the store was taking on, and my manager threw his weight around to get the American distributor to take it back. In retrospect, I should have kept it. You only heard the truss rod ring when slapping and without the amp. No matter how I tried, I could not get the sound to come out of an amp. And since it's an electric bass, who cared what it sounded like unplugged?
I just remembered that when Diatribe went into the studio, I took a fretless TUNE Syncron that I borrowed from the store. It was just like my blue one, but it was black, fretless, and had a J-Bass pickup set. Not sure if I played it on any of the scratch tracks, but it never made it on anything even if I did: I had to re-record every bass part in one session all by myself because the DI box we used had a short in it! So I re-recorded everything listening to the scratch on headphones. I used my Fender Jazz for those takes.
WARNING: UGLY PHOTOS!
And to cap off all this nostalgia, here are two really ugly shots of me playing that bass at a houseparty. I remember this one. Yes, that is me playing with TWO accordion players--it was Zydeco night! The second shot is me looking pasty-white and very Ian Curtis-like. I am just about Ian's age there. Longish hair and unfortunate floral silk shirt. Circa 1989 or 1990.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGXZtmrroMWfhBB2tuAvgBedulo-Xe7d_1aV9edTUh5pR1_RZKSRCHLdSjXCi_YUxScQHujfXMMAJB0MazfWeoJCI0J_Y4nyy2bNOOXQ1Kr8awu07yPilsKxlJ-doTYlDgWMDqoE9p_RBN/s320/tune_dia1.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZNhHXbS0CdoHAPmfdzq_rMrkGbdYQBXh9_875oG9OMTQ9DymbTmzyNegslm3oATw3-evjCPf5-N0Va8cKYiGqe7ot-MtcNvIzAfywiX_geUxJbAiCD024ulvurvbpA9IzIGt6MpBSBdkM/s320/tune_dia2.jpg)
There's a good look at my rig in the last photo: Peavey MegaBASS head (400w); Hartke 2x10; MESA/Boogie 1x15. That Boogie cab is the best sounding bass box I ever heard. It made that house shake like a mot%erf*ck&er!
For photos of me with other basses from my past, click here.
My previous basses
- MX P-Bass copy (red--my first bass)
- MX P-Bass copy (black--homemade fretless)
- Rickenbacker 4001 (homemade fretless--borrowed)
- Charvel/Jackson PJ
- Japanese Fender Jazz
- Tune Syncron SB-4
- Teisco Del Rey EB-200
- 1964 Fender Jazz Bass
- Late 80s Fender '62 Reissue P-Bass (Japan)
- Squier 60s Vibe Jazz Bass
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