Monday, March 30, 2009

Moog Memories


My first paying job was working for the Troy School District as a theater technician. The Performing Arts Center at our high school was rented to local organizations for events; it was a very nice facility, and as theatre kids we were trained on the lights, sound, pinrail, and other technical aspects of the theater. (I even helped Dr. Ruth Westheimer up on a podium while working there).

At one variety show, I was moving musical equipment on and off stage. This was circa 1983 or so, and I recall vividly a synthesizer rig being wheeled out on stage. It was a Memorymoog. Someone tripped over the cord and the thing got unplugged; all the patches had to be re-programmed before the act could go on.

Happy Dad




Marti sent this great snap of her and my Dad in Utah--Brenda took it with her iPhone. My dad was supposed to be toiling away on a case in DC, but it looks like it's postponed.

I wasn't the only one to tell him that he should get his bucket on a plane to Park City. Here he is enjoying some great Spring skiing with Marti.

Awesome.

As for me, my 1:30 meeting was canceled, so I am headed over to the Fitness Center.

>What a great day we had yesterday, including watching the
>"Pond Skimming"
where 85 people in weird costumes skied
>over a pond (most didn't make it), an apres-ski concert by
>the Whalers (Bob Marley's band), dinner at a new Israeli
>restaurant, and a concert by Rory Block. It was made all
>the sweeter by the fact that Jim being able to come out
>was an unexpected surprise.

>
>Love,
>Marti

------------------------

These pictures just made my day!


Um, and it's "Wailers" not "Whalers." Tee hee hee.

Reggae band:
http://www.wailers.com/band/

Fishing vessel:
http://en.wikipedia.org/wiki/Whaler

Love,
SR

Sunday, March 29, 2009

A Band In My Head


I'm not very creative. Some people push back at me when I say this, but it's essentially true. I've been in bands and done creative things, but I don't write songs, poems, or anything like that. Just the past few days a sound has been coming into my head. And George gave me an electric guitar yesterday. I think I have everything I need to make a record.

I like lots of bands and sounds and types of music, and that's a big part of my problem. What would I want to do? Also, I feel like there is more good music out there than I will ever get a chance to hear. Why would I make more, especially since it probably won't be very good?

I like these two bands a lot lately:

http://www.myspace.com/televisionroom

http://www.myspace.com/amanset

Both great names. So I discovered American Analog Set back in 2005 when I made my Black Postcards mix (still listen to that thing--boy how failure inspires you!). Love that sound: soft, brushy drums, acoustic guitars, clean electrics, breathy harmonies. I love the refrain on "Aaron and Maria" when the sweet harmony goes "'Cause no one gives a fuck about us."

I've been in band with names like:
  • Diatribe
  • Housequake
  • Trancemitter
  • The Clamdiggers
  • George Washington
  • The Frenzy Brothers

When we were forming Diatribe, I lobbied hard for the name "Gifts and Lamps." I am glad I didn't win. I got the name from a section of the Meijer store. I also wanted to start a funk/techno band called "Real Live Band." It could have been "RLB" for short. You can see why naming the band was never left to me.

I wonder if I could think of original band names--there are more names out there than you can imagine. Lots of cool ones taken. Here's a band name maker. Brainstorm:



  • Rip a name from a Brian Eno lyric (worked for A Certain Ratio)

  • Rip a name from a Talking Heads song (worked for Radiohead)

  • Be creative.

Yamaha DX7 immortalized





Took the kids to see Monsters v. Aliens this weekend, and it's funny. There's a great sequence when the President (played by Stephen Colbert) ascends a giant staircase to address an alien spaceship. Built into his presidential podium is a Yamaha DX7--very clearly identified as such; in fact, the machine is rendered in loving detail with many close ups of the buttons.

President/Colbert begins fumbling with the melody used to communicate with aliens at Devil's Tower in Close Encounters of the Third Kind (be botches it); and then goes right into the funny "Axel F" melody from Beverly Hills Cop. Both of these gags are references to a funny popcult thing--the fact that most everybody who gets near an electronic keyboard attempts to noodle out these melodies (I recall a stupid episode of Friends when a flashback shows Ross playing "Axel F" on his Casio).

[as noted here, however, the DX7 did not have preset drum patterns--they made fun of it as though it were an old Casio! This blog author hates the DX7; it's not a cool, retro synth, but it certainly was a roadworthy bar band tool.]

At any rate, the DX7 sequence in Monsters v. Aliens was really cool. And, on the serious side, that was a major piece of 1980s gear--cheap enough for most folks to use in a band setting. It might be the most deployed synth in history. I was in 3 bands where the DX7 was a mainstay.

Fr. George Gave Me A Guitar!

He really did! He had two of these, and this one had a crack in the neck. He took it to Elderly and had Steve Olson fix it--Steve and I used to be in a band together. I've never been an electric guitar player, but this one will be fun to play with.





I haven't owned an electric guitar since I was 20 years old! Back then, I had a Squier strat copy, and if I were buying one for myself I'd get a strat-style guitar with 3 single-coil pickups. Or I'd get some kind of jazz archtop; this Hamer is more like a Les Paul/Les Paul Jr. Gibson-type; big frets, dual humbuckers.

I just pulled this Radiohead out of my head and threw it up here. Thanks for the guitar, George!

NOTE: I went back and listened to "Airbag" and wow! I think I nailed that. Pretty sure it's the same key and everything. I rush it a little bit, but that is essentially the sound. Playing with this guitar will be fun; I've never really tried to play electric guitar. This thing has a pretty nice clean sound, too--maybe I could get some jazz guitar videos and learn Barney Kessell type stuff. But it might also be fun to learn enough rock and roll stuff to start making tunes in GarageBand or something. I never really have been a songwriter.

Thursday, March 26, 2009

Jim's Farewell Mix


Pals at work asked me to make a gift mixtape for a co-worker who is retiring. He's a Motown freak, so it was easy. I started with my Boomerang! mix as a base and moved things in and out. I think he'll like it.

Destination Anywhere: A Farewell Mixtape for Jim Leonard


“When the rain turn to snow
And it's 90 below
That's when I'll come back to you!”

This mix has a gag opener. It’s a separate track so it can be easily skipped or removed. Bob & Doug McKenzie kick it off: “Good Day, welcome to school... How's it goin', eh?” There just had to be a cheap-shot Canada joke here. We'll get to the Motown, but we start off with Sam Cooke's “I'll Come Running Back To You,” the 1957 B-Side to “You Send Me.” The mix gets its title from the next track, “Destination Anywhere” by the Marvelettes; this is as good a Motown song as you'll ever hear, coming at the height of that organization's magic. We know that Jim isn't leaving heartbroken with no care for his destination, but this song captures a sense of the ambivalence he must feel about moving on. We stick with Motown for the moment and hear Junior Walker's “Do The Boomerang,” because like the Aboriginal hunting tool, we wish Jim would turn around and come back to us. Jim, be sure to heed Junior's direction when he sings “Do your own little thing, now!” Next and also Motown is “Farewell Is A Lonely Sound” by Jimmy Ruffin; Ruffin's kid brother was one of the lead singers in the Temptations. Sticking with “goodbyes” as a theme and Motown as a source, we hear a 13-year-old Michael Jackson drop the 1971 hit “Never Can Say Goodbye” by The Jackson 5. We're pulling out of Motown now, and we'll get pretty far away, but the first transition is pretty smoothly led by Al Green whose 1973 “Call Me” reminds Jim to stay in touch with us. From here, a couple of white rock/blues tracks fit really nicely: Jefferson Airplane doing the traditional blues “Come Back Baby,” arranged by Jorma Kaukonen while Grace Slick sits out; next is “She'll Come Back” from the last Turtles record entitled Wooden Head. We promise not to be as devastated by your departure as the narrator of this track appears to be. In an attempt to get Jim to stay, however, we pull out the big guns and play “Come Back to Me” from Roy Orbison's 1961 Lonely and Blue. When that doesn't work, dejected, we head back to Motown and listen to Eddie Kendricks sing “It's So Hard for Me To Say Goodbye.” Resigned, we put the Ink Spots on and spin the incomparable lament “When the Swallows Come Back To Capistrano.” Because the guitar intro of this track almost certainly inspired the Sam Cooke song that started this whole mix, we are ready to be done and need someone to put it all in perspective. Who better than Louis Armstrong, who tells it like it is to his wife Lil Hardin in this 1927 Frank Biggs masterpiece “That’s When I’ll Come Back To You.” Satchmo says it: “Baby, you lost a gold mine when you lost me!” True enough. Enjoy retirement, Jim!

Playlist
  1. School Bell Gag Opener / Bob & Doug McKenzie
  2. I'll Come Running Back To You / Sam Cooke
  3. Destination Anywhere / The Marvelettes
  4. Do The Boomerang / Junior Walker and the All Stars
  5. Farewell Is A Lonely Sound / Jimmy Ruffin
  6. Never Can Say Goodbye / Jackson 5
  7. Call Me / Al Green
  8. Come Back Baby / Jefferson Airplane
  9. She'll Come Back / The Turtles
  10. Come Back To Me (My Love) / Roy Orbison
  11. It's So Hard For Me To Say Goodbye / Eddie Kendricks
  12. When The Swallows Come Back To Capistrano / Ink Spots
  13. That's When I'll Come Back To You / Louie Armstrong and His Hot Seven

Saturday, March 21, 2009

A Strange And Stupid Idea


... I get them sometimes.

This one came to me driving to my mother's funeral. I was thinking about how amazing it is that children grow new teeth. I have a cracked tooth right now, and loose tooth is a sensation I have not felt since I was a child. And then the idea came to me:

Q. What if there are developmental stages in humans that have never appeared because we just haven't lived long enough for them to happen?

Think about it for a second. If our genetic code has some provision to grow new lungs or a third set of teeth at age 125 or something, we wouldn't know about it yet. But we might as medical science prolongs our lives. Something about the design (intelligent or random, it matters not) of humans allows for a second set of teeth. I wonder if any animals grow new organs in old age. Certainly some grow new organs during life (salamanders, etc.). Ah, the stuff I think about.

This is stupid and implausible. But interesting. The small child in me disparately wishes my mother could have grown a new pair of lungs. Maybe that's on the horizon.

A sub-set of this odd thought is meditation on redundant pairs of organs in our body. Redundant might not be the right word: eyes, ears, lungs, kidneys... all these things come in pairs and you can live with only one. I think your life is significantly diminished without a working pair, but loss of one is certainly survivable.